Errata
Overture to Candide by Leonard Bernstein
There are two editions of the Grundman arrangement: the original publication from 1986 and the corrected edition from 1991. The 1991 edition includes Grundman's recommended tempi — [half note] = 132 at the beginning; [half note] = 152 at m. 231. The 1986 edition's tempi match the orchestral score — [half note] = 152 at the beginning; [whole note] = 96 at m. 231. The tempi in the parts were not updated, so both editions list the 1986 edition tempi (matching the orchestral score).
We are using the 1991 edition!
In the 1991 Corrected Edition Parts:
None discovered thus far.
Third Suite by Robert Jager
None discovered thus far.
Memory Cascades by Christopher Bell
None discovered thus far.
Arizona by Franco Cesarini
None discovered thus far.
Pineapple Poll by Sir Arthur Sullivan
We are using the 2005 edition!
In Parts and Score (2005 edition):
Windsprints by Richard Saucedo
None discovered thus far.
Arabian Dances by Roland Barrett
None discovered thus far.
There are two editions of the Grundman arrangement: the original publication from 1986 and the corrected edition from 1991. The 1991 edition includes Grundman's recommended tempi — [half note] = 132 at the beginning; [half note] = 152 at m. 231. The 1986 edition's tempi match the orchestral score — [half note] = 152 at the beginning; [whole note] = 96 at m. 231. The tempi in the parts were not updated, so both editions list the 1986 edition tempi (matching the orchestral score).
We are using the 1991 edition!
In the 1991 Corrected Edition Parts:
- Piccolo, m.25, b.4: Remove the two eighth notes on beat 4.
- Piccolo, m.126: Extend slur from beat 1 to the dotted half note in measure 128.
- Piccolo, m.223, b.2&: Last eighth note should be F; last quarter note should be E-flat.
- Piccolo, m.223, b.3: Last quarter note should be E-flat.
- Piccolo, m.226, b.3: Remove staccato from beat 3.
- Flute I-II, m.118: Add decrescendo on the whole note.
- Flute I-II, m.210, b.3-4: Add staccato to the quarter note on beat 3; add accent to the quarter note on beat 4.
- Flute I-II, m.222, b.2-3: Extend the slur from beats 1 and 2 into beat 3.
- Flute I-II, m.254, b.3-4: Add accents to the quarter notes on beats 3 and 4.
- Flute I-II, m.267, b.1: Slur the two eighth notes on beat 1.
- Oboe I-II, m.11, b.3: Remove accent from beat 3.
- Oboe I-II, m.119: Remove decrescendo from this bar.
- Oboe I-II, m.122-123: The rehearsal mark for measure 123 is printed one measure too soon — move it to the following bar.
- Oboe I-II, m.210, b.3-4: Add staccato to the quarter note on beat 3; add accent to the quarter note on beat 4.
- Oboe I-II, m.284, b.3: Remove the slur over beat 3 (but retain the slur over the entire measure).
- Bassoon I-II, m.17: Should be marked forte marcato.
- Bassoon I-II, m.19, b.1: Add sf to the quarter note on beat 1.
- Bassoon I-II, m. 31, b.2: Add accent to the dotted half note on beat 2.
- Bassoon I-II, m.68, b.3: Extend the slur from the previous bar into the quarter note on beat 3, rearticulating on beat 4.
- Bassoon I-II, m.80, b.1: Add staccato to the quarter note on beat 1.
- Bassoon I-II, m.97: Remove tie between first two half notes in the lower divisi.
- Bassoon II, m.161, b.1 & 3: (Lower divisi) D should read B-flat.
- Bassoon I-II, m.247-248: The rehearsal mark for measure 247 is printed one measure too late — move it to the previous bar.
- Bassoon I-II, m.263, b.4: Add accent to the quarter note on beat 4.
- Bassoon I-II, m.268: Add cresc. on the downbeat.
- E-flat Soprano Clarinet, m.97-98, b.5: Extend slur from beat 5 of 97 into the downbeat of 98.
- E-flat Soprano Clarinet, m.227, b.4: The last eighth note of the bar should be a written C.
- E-flat Soprano Clarinet, m.284, b.3: delete the slur (F#-G).
- E-flat Soprano Clarinet, m.284, b.2-4: delete all staccatos.
- E-flat Soprano Clarinet, m.284: This entire measure should be slurred (to the downbeat of measure 285).
- B-flat Soprano Clarinet I, m.151, b.1-2: Add slur over the four eighth notes in the top divisi on beats 1 and 2.
- B-flat Soprano Clarinet I, m.254, b.3-4: Remove staccatos from beats 3 and 4.
- B-flat Soprano Clarinet I, m.284, b.3: delete the slur (B-C).
- B-flat Soprano Clarinet I, m.284, b.2-4: delete all staccatos.
- B-flat Soprano Clarinet I, m.284: This entire measure should be slurred (to the downbeat of measure 285).
- B-flat Soprano Clarinet II, m.100, b.1: Remove tenuto from the quarter note on beat 1.
- B-flat Soprano Clarinet II, m.247, b.1: Add staccato on beat 1.
- B-flat Soprano Clarinet II, m.263, b.4: Add an accent on the first eighth note of beat 4.
- B-flat Soprano Clarinet II, m.284, b.3: delete the slur (B-C).
- B-flat Soprano Clarinet II, m.284, b.2-4: delete all staccatos.
- B-flat Soprano Clarinet II, m.284: This entire measure should be slurred (to the downbeat of measure 285).
- B-flat Soprano Clarinet III, m.26, b.1: Should be marked mezzo forte.
- B-flat Soprano Clarinet III, m.97, b.1: Add tenuto on beat 1.
- B-flat Soprano Clarinet III, m.100, b.1: Add tenuto on beat 1.
- B-flat Soprano Clarinet III, m.131, b.2: Change the half note on beat 2 to a whole note.
- B-flat Soprano Clarinet III, m.131, b.3: Delete the half note rest.
- B-flat Soprano Clarinet III, m.284: This entire measure should be slurred (to the downbeat of measure 285).
- B-flat Bass Clarinet, m.19, b.1: Add sf to the quarter note on beat 1.
- B-flat Bass Clarinet, m.80, b.1: Add staccato to the quarter note on beat 1.
- B-flat Bass Clarinet, m.147, b.1: Add staccato on beat 1.
- B-flat Bass Clarinet, m.186, b.1: The half note on beat 1 should be a written E-flat.
- B-flat Bass Clarinet, m.260, b.4: Remove staccato from beat 4.
- B-flat Bass Clarinet, m.268: Add cresc. on the downbeat.
- E-flat Contra-Alto Clarinet, m.247, b.1: Should be marked forte.
- E-flat Contra-Alto Clarinet, m.260, b.4: Remove staccato from beat 4.
- B-flat Contra-Bass Clarinet, m.247, b.1: Should be marked forte.
- B-flat Contra-Bass Clarinet, m.260, b.4: Remove staccato from beat 4.
- E-flat Alto Saxophone I, m.19, b.1: Remove staccato from the quarter note on beat 1.
- E-flat Alto Saxophone I, m.26, b.1: Add accent to the first eighth note on beat 1.
- E-flat Alto Saxophone I, m.27, b.4: Add accent to the last eighth note in the bar.
- E-flat Alto Saxophone I, m.28, b.2: Add accent to the first eighth note in the bar.
- E-flat Alto Saxophone I, m.28, b.2: Slur the eighth note on the & of beat 2 into beat 3.
- E-flat Alto Saxophone I, m.92, b.1: Add dim. starting on beat 1.
- E-flat Alto Saxophone I, m.160, b.3: Remove the staccato from the quarter note on beat 3.
- E-flat Alto Saxophone I, m.218, b.3: Quarter note on beat 3 should be G.
- E-flat Alto Saxophone I, m.284: This entire measure should be slurred (into the downbeat of measure 285).
- E-flat Alto Saxophone II, m.17, b.1: Add forte to the downbeat.
- E-flat Alto Saxophone II, m.19, b.1: Remove staccato from the quarter note on beat 1.
- E-flat Alto Saxophone II, m.231, b.1: Add accent to the quarter note on beat 1.
- B-flat Tenor Saxophone, m.92, b.1: Add dim. starting on beat 1.
- B-flat Tenor Saxophone, m.284, b.4: Remove staccatos from the last two eighth notes in the bar.
- E-flat Baritone Saxophone, m.17, b.1: Should be marked forte marcato.
- E-flat Baritone Saxophone, m.284, b.3: delete the slur (F#-G).
- E-flat Baritone Saxophone, m.284, b.2-4: delete all staccatos.
- E-flat Baritone Saxophone, m.284: This entire measure should be slurred (to the downbeat of measure 285).
- B-flat Cornet I, m.159. b.3: Remove staccato from half note on beat 3.
- B-flat Cornet I, m.218, b.1: Remove staccato from quarter note on beat 1.
- B-flat Cornet II, m.5, b.4: Remove staccato from half note on beat 4.
- B-flat Cornet II, m.192: Remove the slur over the entire bar and replace with a slur over the first two quarter notes and a separate slur over the two half notes.
- B-flat Cornet II, m.201: Add duration dot to the whole note in this bar.
- B-flat Cornet II, m.237: Remove crescendo from this measure.
- B-flat Cornet II, m.245, b.1-3: Add a hairpin crescendo to this measure.
- B-flat Cornet III, m.4, b.1: Add staccato to the quarter note on beat 1.
- B-flat Cornet III, m.192: Remove the slur over the entire bar and replace with a slur over the first two quarter notes and a separate slur over the two half notes.
- B-flat Trumpet I-II, m.125: Add a slur for the entire measure in the upper divisi.
- B-flat Trumpet I-II, m.231, b.1: Play the quarter notes on beat 1 — these are not part of the Horn cues.
- Horns in F, m.153, b.3: Add staccato to the quarter note on beat 3.
- Trombone I, m.1, b.3: Add accent to the half note on beat 3.
- Trombone I, m.231, b.1: Add accent to the quarter note on beat 1.
- Trombone I, m.255, b.3: Remove cantabile from beat 3.
- Trombone II, m.1, b.3: Add accent to the half note on beat 3.
- Trombone II, m.46, b.2: Half rest should read quarter rest.
- Trombone III, m.1, b.3: Add accent to the half note on beat 3.
- Baritone T.C., m.284, b.3: delete the slur (B-C).
- Baritone B.C., m.253, b.3: Add tenuto to the half note on beat 3.
- Baritone B.C., m.284, b.3: delete the slur (A-B).
- Baritone T.C. and B.C., m.279: Add cantabile to this measure.
- Baritone T.C. and B.C., m.284, b.2-4: delete all staccatos.
- Baritone T.C. and B.C., m.284: This entire measure should be slurred (to the downbeat of measure 285).
- Tuba, m.19, b.1: Add sf to the quarter note on beat 1.
- String Bass, m.262, b.1: Add mezzo forte to the quarter note on beat 1.
- Bells, m.247, b.1: Add forte to the half note on beat 1.
None discovered thus far.
Third Suite by Robert Jager
- Flute, Mvt. 3, 6th measure of reh. C: add A-flat accidental to 4th eighth note.
- Bassoon, Mvt.2, reh.F: Accent on beat 3 is not replicated in the tuba, bass clarinet, or baritone parts.
- E-flat Alto Saxophone I, Mvt. 3, between reh. C & D: One measure of repeated "D" eighth notes is missing; should be 7 repetitions, not 6.
- E-flat Baritone Saxophone, Mvt.2, reh.F: Accent on beat 3 is not replicated in the tuba, bass clarinet, or baritone parts.
- Percussion I, Mvt. 2, 4th measure of reh. E: Remove augmentation dot on half note. It should be a measure of 2, not 3.
- Percussion I, Mvt. 2, 5th measure of reh. F: Should be 2 eighth notes on beat three (beam missing).
None discovered thus far.
Memory Cascades by Christopher Bell
None discovered thus far.
Arizona by Franco Cesarini
None discovered thus far.
Pineapple Poll by Sir Arthur Sullivan
We are using the 2005 edition!
In Parts and Score (2005 edition):
- B-flat Cornet I, Mvt. 4, m.40, beat 3: A should read G
Windsprints by Richard Saucedo
None discovered thus far.
Arabian Dances by Roland Barrett
None discovered thus far.